I usually work with the entire pasteboard visible, but when I need to focus on just the design, I use W to gray out everything else.Justification is achieved by varying the size of the word spaces on the lineor in the entire paragraphin an attempt to get even word and letter spacing, or at least word and letter spacing that looks even. I usually work with the margins and guides visible, but toggle them off when I need to see the layout without clutter. I Hide Frame Edges unless I need to see them for specific tasks, then I turn them off again. I turn off the new, annoying automatic frame highlighting-all those flickering lines were giving me sensory overload like in the scene at the beginning of Andromeda Strain. I've not figured out where the control for that highlight is hidden. I've deduced that that indicates some kind of spacing or fitting limit. Every now and then-I mean, every six months-I'll see an ochre yellow highlight in table cells. What does it do? I only leave the pink "missing font" highlight on. I've never turned the H&J thing on, ever. > Is it just me? Do other people - designers! - really not mind having their work spotted throughout with variegated yellows? Or have others turned off the h&j highlighting too, for the same reason? If Adobe wants to retain this brilliant enhancement, fine - but it should provide an option or options for making it practically usable, as - again - it always was in PageMaker. It's impossible to think about this without remembering Caleb's assertion a month ago, "Personally I think that too many preferences are antithetical to usability." That could send me into a belated rant too, but I'll try to stay calm and merely say that this, if it is generally true at all (which I'm not sure of), is nonetheless not so in the case of InDesign's damnable h&j highlighting. I NEVER use it, though I always used the highlighting before and would very much like to continue to be able to. This encouraged me to think that the Adobe people here may be actively taking notes on what is said (we *are* the most competent and eloquent users of the software, after all :-), so that it may make sense to register a gripe (as for example Michael B. Nobody said they had, and I was very pleased to see that this had been corrected in CS5 (or maybe 5.5, I'm not sure), so that you were now immediately in the entry box without having to hit a pointlessly unnecessary tab. I mention this here because some time ago I asked whether anyone had experienced any advantage whatever from having to hit the tab key to get to the leftmost entry box in the Photoshop levels dialog, as became necessary in CS4. This went out the window with InDesign and somebody's brilliant idea to display three levels of violation, the lightest one being so minor that you could never get rid of all of it and would actually never want to. What I could and did do then was to work on text until it was clean of any such highlighting. I'll try not to go into a full-fledged rant here, but such highlighting was always very useful in PageMaker and I pretty much always had it on and took advantage of it. One thing I have NOT turned on, however, and will NEVER turn on, is highlighting of purported h&j violations. I doubt that I want custom tracking/kerning highlighted, though I can imagine its perhaps being helpful on occasion (to see if there's still somewhere I haven't kerned something or other, for example). I've turned them on now just to see what happens, and may leave substituted glyphs on. Yes, that's why I never see these three, I've always kept them turned off. But the other three colors don't necessarily mean anything is wrong InDesign is simply alerting you to a change. You'll always want to fix the missing font problem.
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